Name: Pretty May Chords - Guitar Tabs - White Wizzard
Brand: White Wizzard
SKU: 62b1d26f3bab63e225617358
Price: 5.97 USD
Availability: InStock
Rating: 4.9 (306 reviews)

White Wizzard - Topic

Provided to YouTube by The Orchard Enterprises

Pretty May · White Wizzard

Infernal Overdrive

℗ 2018 M-Theory Audio

Released on: 2018-01-12

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Pretty May

rapitroy

Truckin' With Albert Collins - Recorded in Houston, Texas, 1962-'63 Released in 1965. Originally released as "The Cool Sound Of Albert Collins"

Albert Collins - Frosty

Daniele Finazzi

#georgebenson #steviewonder #lately #bobbysbackingtracks 

My Attempt to the incredible George Benson's "Lately" (originally written by Stevie Wonder).

Thanks To Alberto Sonzogni for strings orchestration.

Backing Track by Bobby's Backing Track
Line 6 Helix
Logic Pro X

No Copyright Infringement intended.

Lately (George Benson's Version) - Guitar Cover

MELOMAN MUSIC

ПОДПИШИСЬ - https://www.youtube.com/user/MELOMANUMG
Александр Малинин - Если бы не ты (Версия 2018)
OK : https://ok.ru/yunaytedmy 
VK  : https://vk.com/umgroupp 
Facebook:  https://www.facebook.com/kvadromusic/ 
Instagram:  https://www.instagram.com/unitedmusicgroupp

The most popular Russian music channel / это новый развлекательный канал, где вы найдете альбомы российских артистов и мировых звезд, премьеры песен https://www.youtube.com/user/MELOMANUMG

Новинки Шансона - Александр Малинин - Если бы не ты (Версия 2018)

The Two Minute Holler

PaulJacksonJr #SmoothJazz Paul Jackson Jr. City Of Refuge Featuring Jeff Lorber Album: More Stories Courtesy of M And P ...

Paul Jackson Jr. - City Of Refuge (Official Audio)

Todd McDurmont

The timeless Nestlé Alpine White "Sweet Dreams" Commercial from 1986 was shot in New York City by J. Walter Thompson. The style was based on the early 20th century works of American painter, Maxfield Parrish. http://en.wikipedia.org/wiki/Maxfield_Parrish
The commercial was a live-action representation of Parrish's Ecstasy, Dinky Bird, and Daybreak.

Musician/composer Lloyd Landesman created this amazing and memorable jingle. You can find this information on Lloyd's Vimeo at http://vimeo.com/lloydlandesman!

 'Faith No More' did not write or record the jingle for this commercial, they merely covered it in live performances. 

Maxfield Parrish Biography by Ralph Fletcher Seymour. Todd McDurmont is the first guy to appear in the commercial.

Interesting info: 
The commercial was shot January, 1986, upper west side, New York City. 
I was new to the city. I just signed with Elite Model Management. 
This was my second national commercial booking.
My sequence took less than 45 minutes to shoot. I was in makeup and wardrobe longer.
The studio was cold. So cold in fact, that when I took a bite of the Alpine White bar, it would break off in large pieces, rather than a clean break. As a result, you never actually see me take a bite! 

The commercial ran for three years and would have run longer but sources indicated (true or not) that Nestle allegedly never consulted the Maxfield Parrish estate to use the famous artwork as a backdrop. So the commercial was eventually pulled from rotation. Too bad. It was one of the biggest, most iconic commercial of the 1980's and I was very lucky to be part of history. 

The success of "N.A.W." was a combination of Maxfield Parrish's art work, as a backdrop and the haunting synthesized music. It all came together is one amazing commercial. Those people at J. Walter Thompson were brilliant. 

Back then it was just another commercial to us. I got a call from my agent (Elite Model Management) and took the appointment, like the rest of the models. When I auditioned, they just played the music and I reacted, while eating the "mini" version of the candy bar, like the ones for Halloween. Shooting my part of the commercial was no less than about 30 minutes. I was actually in makeup longer at about 45 minutes. 

The mammoth studio was cold. It was January, 1986 in NYC. It was cold enough that the candy bars were breaking off in my mouth. No too attractive. So when you see my part of the commercial, I'm "chewing" and looking up. You never actually see me take a bite, nor do you see the bar. We had no choice. Pieces of NAW candy bar, hanging out of my mouth was not too sexy! Anyway, it was no big deal. Just another booking. Just another commercial. As a model in NYC, you book a job and move on, not realizing the impact of what was created. There are so many auditions and bookings, NAW was just one more in the appointment book.

Of course when NAW aired, it really stood out and ran for three years until the Maxfield Parrish estate apparently stepped in and allegedly threatened a lawsuit because Nestle's didn't appear to ask for permission to use Max's artwork. Subsequent Alpine White commercials just didn't have the magic. They all fell short of the original. This commercial is a rare singularity in a wasteland of today's mediocre commercials, and a perfect metaphor for the style of the 1980's. It remains timeless! I'm glad I was a part of it.

And just one more thing. When I was a child, my great grandmother gave me this really old book of artwork. It had a dark blue canvas color and the font style was right out of the 1930's. It had all this weird dreamy artwork in it. It was the artwork of Maxfield Parrish.

#NestlesAlpineWhite #ToddMcDurmont #MaxfieldParrish

Nestlé Alpine White "Sweet Dreams" Commercial 1986 - Maxfield Parrish

Heath Wilson

Marvin Rainwater   Crazy Love

Tower Of Power - Topic

Provided to YouTube by Sony Music Entertainment

Soul With A Capital 'S' (Live) · Tower Of Power

Soul Vaccination: Tower Of Power Live

℗ 1999 Sony Music Entertainment Inc.

Released on: 1999-08-03

Background  Vocal, Tenor  Saxophone, Producer: Emilio Castillo
Composer, Lyricist: E. Castillo
Vocal: Brent Carter
Composer, Lyricist: S. Kupka
Assistant  Engineer: Doug Field
Background  Vocal, Guitar: Jeff Tamelier
Assistant  Engineer: Phil Kneebone
Mixing  Engineer, Recording  Engineer: Clarke Rigsby
Background  Vocal, Keyboards: Nick Milo
Mastering  Engineer: Vlado Meller
Background  Vocal, Trumpet: Bill Churchville
Arranger: Greg Adams
Recording  Engineer: Biff Dawes
Bass: Francis Rocco Prestia
Tenor  Saxophone: Norbert Stachel
Baritone  Saxophone: Stephen Kupka

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Soul With A Capital 'S' (Live)

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Pretty May - White Wizzard

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